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Rumor has it that Canon will officially announce the RF mount APS-C mirrorless camera, EOS R7, on May 24th. It will be equipped with a 32.5MP dual pixel CMOS image sensor, and will be capable of high-speed continuous shooting at 15 frames per second with a mechanical shutter and 30 frames per second with an electronic shutter. It is a long-awaited APS-C high-speed continuous mirrorless camera, and is expected to be the successor to the EOS 7D Mark II SLR. The image sensor will have the same number of pixels as the APS-C SLR EOS 90D and the APS-C mirrorless EOS M6 Mark II, but it will probably be a back-illuminated (BSI) type. It may be a back-illuminated stacked type, which would make it the flagship of Canon's APS-C mirrorless cameras. It is also said to be equipped with an in-body sensor shift type image stabilization mechanism (IBIS). If that is the case, it will be the same as the 35mm EOS R series, instead of the lens optical system shift type IS in the EOS M series. Since the image sensor is APS-C and smaller, the sensor-shift type image stabilization mechanism will be advantageous. It would not be surprising if it had an effective number of steps equivalent to 8, just like the EOS R5. In addition, video will be 4K/60p and Full HD/120p, and C-Log 3 will also be installed, so the video function is likely to be significantly enhanced. The recording media is a dual SD UHS-II slot, which is natural for an APS-C flagship.

What is of concern is the size, weight, and price. It is probably impossible to make it as small as the EOS M series because of the large-diameter RF mount, but it will be significantly smaller and lighter than the small and lightweight 35mm EOS RP. The price will be in the 200,000 yen range, but whether it is in the early or late 200,000 yen range will affect users' desire to purchase it. There are also rumors that two APS-C-only RF mount lenses, the RF-S 18-45mm f3.5-5.6 standard zoom and the RF-S 18-150mm F3.5-6.3, will also be released. What is of concern here is that both lenses start at 18mm, and the wide-angle side will be insufficient with the 1.6x crop factor image sensor that Canon has always used. So, my guess is that Canon will increase the APS-C sensor size to a crop factor of 1.5x starting with the EOS R7. This will make it the same size as other companies' APS-C image sensors, and 18mm will have an equivalent angle of view of 27.5mm.

Another rumor is that an APS-C mirrorless camera called the EOS R10 will be released at the same time as the EOS R7, or a little later. The image sensor will be 24.2 megapixels, and the continuous shooting will be 15 frames per second with a mechanical shutter and 23 frames per second with an electronic shutter. The recording media will be a single slot SDUHS-II, and it is expected to be quite small and lightweight. This model may be the EOS Kiss R. However, at the moment, the EF-M mount mirrorless camera EOS Kiss M2 is selling so well that it is the driving force behind Canon's leading mirrorless market share. Therefore, it remains questionable whether they will unify their mirrorless cameras from the EF-M mount to the RF mount at this point. However, in the past, when Canon released the EOS Kiss series, they have made a full-scale change in direction, whether it was the film SLR EOS Kiss, the digital SLR EOS Kiss Digital, or the mirrorless camera EOS Kiss M. Therefore, we cannot rule out the possibility that one day the EOS Kiss R will suddenly appear.

Postscript The Camera Grand Prix 2022, sponsored by the Camera Journalists Club, has been announced. The Grand Prize went to the Nikon Z 9, the Lens Award went to the Sony FE 50mm F1.2 GM, the Best Camera Award (Reader's Vote) went to the Nikon Z 9, the Camera Journalists Club Award Planning Award went to the Nikon Z fc, and the Camera Journalists Club Award Technology Award went to the Canon EOS R3.

A straight JPEG. Of course, it's a miniature. I don't have the financial or physical strength to buy and use such a big white lens. This miniature is quite small, so it would be standard to use a macro lens, but I decided to take it with the standard zoom lens of an APS-C mirrorless camera. You can get quite close. It's a lazy handheld shot without using a tripod. I thought there would be negative compensation because of the black background, but the white lens barrel had a bigger effect, and the exposure was correct without any compensation. Mirrorless cameras are certainly convenient because you can preview the results. Sony ZV-E10, E16-50mm F3.5-5.6 PZ, aperture F11, aperture priority AE, AWB, ISO auto.